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Audio interfaces These are the devices that capture audio, convert it into a digital signal, then transfer it to your computer. They also take the digital audio from your computer and turn it back into an analog signal for playback through your monitors. Your main considerations in choosing which one to get will be the number of channels you want to record on simultaneously and whether or not it has built-in mic preamps and phantom power - the latter will be determined by the types of microphones you. You will also need to consider how many inputs are designed for microphones or instruments depending on what you intend to record. Most of the options on the market today support a minimum.1 khz sampling rate (some go up to 192 khz) and 16 bit depth which is sufficient for producing release quality music. There is a lot of debate about sampling rates so if you'd like to know more see: The Science of Sample rates (When Higher Is Better — and When It Isnt).

Once all the processing is done the signal can either be transferred to your computer in a digital format, or converted back to analog (necessary for monitors and headphones). Some digital mixers also have ethernet and wifi networking built in for sending audio data or for remote control by a tablet or laptop. Summing Mixers These are expensive pieces of equipment and are generally not needed for basic home recording setups. What they do is take multiple line level inputs and mix them into 2 line level outputs - this is essentially the same as sending multiple channels on an analog mixing desk to a stereo bus. There are a range of ways they can be utilized with one the most common uses being to send channels from a daw to an analog summing mixer to produce a stereo output which is then sent back to the daw. Some audio engineers do this because they don't like the sound of doing summing mixing itb (In The box) and instead prefer the tone of an analog summed mix. There are huge debates over whether or not summing is a good thing - if you'd like to know more see this discussion. Recording Systems you basically have two main options here - whether to use a computer based system or a digital multitrack system. By far, most home recording studios, and even most professional ones, choose to go with computers. Given that most musicians already junk have a computer this is the most cost effective way.

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This helps avoid clipping if you're running the headphone output of your audio interface or mixer too loud just to get the volume you want. Mixers At its simplest a mixer allows you to take multiple incoming signals and mix them together. More complex mixers may have a range of signal processing tools like eq built in to every channel and have multiple signal routing options such as multiple busses, groups, inserts and direct outputs. Although your daw can provide all the functions of a mixer for sound you've already recorded, you will still need one if you want to record simultaneously the from more sources than you have channels on your audio interface. For example you might want to record a drum kit with 8 microphones but you only have 2 channels on your audio interface - you will need to send all the mics through a mixer to mix them down to only 2 channels before you. Analog Mixers These use hard-wired physical circuitry for carrying, processing and routing all the signals you are mixing. They typically have built-in mic preamps and are often used in conjunction with audio interfaces that only accept line level inputs, or in any situation where the number of signals you are recording simultaneously exceeds the number on inputs on your audio interface (see the. Digital Mixers Although you typically use these the same way as their analog counterparts, most the internal circuitry is 'virtual' running on a computer system inside the hardware. The exception is that the preamps, which are usually the first step in the signal path, are analog and they then pass the signal directly to the A/D converter.

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Finally, you'll benefit from having a set of Ear Buds to check the final mix because many people listen to music using ear buds with their personal music players and smartphones. Recording If you're working on a limited budget then the best bet is simply to go with closed back headphones because they are the most versatile with the least amount of spill. In fact the drummer will benefit from the additional low end making it easier for them to hear the bass in their mix. If you have extra money to spend then consider getting a set of semi open back headphones for recording vocals - their improved frequency response can help to get better a performance from the vocalist while not letting too much of the mix spill small into. Headphone Amps If you're going for a simple recording set up then you won't really need these because the headphone output from your mixing desk or audio interface will suffice - this is true for most standard consumer headphones. However, if you're going to have multiple people recording simultaneously, and particularly if you're going to be providing different mixes in some of the headphones or you're monitoring with multiple people in a quiet environment, then you will most likely need headphone amps. If you're using high-end open back headphones which tend to be high impedance, particularly for mixing, then you'll also want to get a headphone amp that will drive them at the correct power level.

Closed Back - the best isolation but over emphasize the low end frequencies due to pressure being contained within the cans. Semi Open Back - high end versions provide nearly as good a frequency response as open backed but with limited spill. Ear Buds - they don't sound great but they help to hear what your mix will sound like to people listening with them. An important point with new headphones that sometimes gets overlooked is that they need "breaking in". This is because manufacturers deliberately over tension the speakers for shipment. They need about 12 to 24 hours running at around 80db for the speakers to loosen up to the level that produces the correct frequency response - they will then stay in this correct state for many years. If you don't do this then you'll probably end up with harsh tones during the first 24 hours of actual running time. Mixing / Monitoring Although you generally want to do most of your mix downs using studio monitors, you can get away with using high-end open backed headphones if you don't have monitors. Even with monitors, you may still want to check the mix with headphones to see what it sounds like without the acoustic effects of your mixing room coming into play.

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Ribbon Mics, these were invented in the 1920s and produce a signal based on the velocity of the air that hits the ribbon, rather than the displacement of air as in Dynamic Mics. This leads to reviews interesting characteristics such as taming harsh sounds and producing a 'vintage tone' that can be found on many recordings from the 1950s and 1960s. Most modern Ribbon Mics use phantom power (check before using - phantom power can burn out the ribbon if it's not supposed to be used on a particular mic) but they tend to have a greater degree of roll off on the higher frequencies than. If you already have dynamic and condensers then you might like to consider getting a ribbon Mic to add to your tonal pallet when recording. Royer Labs are the leading manufacturer in this category and they won a technical Grammy in 2013 - their leading model is widely considered to be the royer 121. Drum Mics, although you can use standard condenser mics on drums, you'll find you get better results with specialty drum mics because they're specifically designed to handle the very high spls and specific frequencies of different types of drums. There are different types of drum mics designed specifically for each piece of percussion in a drum kit, including different types of cymbals, and you can buy a drum mic kit which will give you every thing you need to record acoustic drums.

Mic Stands, in the studio it's best to go for boom style stands because they're the most versatile and can be used to position your mics accurately to record all kinds of instruments and vocals. Here's our guide. Mic Stands for Stage and Studio. Pop Filters, these are a necessity for recording vocals because they can save writing you from having to do unnecessary retakes just because the singer popped or breathed directly on the mic causing the input signal to be clipped or distorted. Place a pop filter between the singer and the microphone, just like the picture on the left, and the problem is largely avoided. Headphones, there are four basic types of headphones and each one has their uses: Open Back - the best frequency response but spill noise out the sides.

If you're using a tablet like the ipad which can't provide enough power for multiple mics then you'll also need to use a self-powered usb hub. Condenser Mics, if you intend to be record a lot of vocals then you'll want at least one condenser microphone - these are the mics most often used for recording vocals. Condenser mics are much more sensitive than Dynamic Mics and they require. Phantom Power to operate. They typically respond to higher frequencies and can pick up more subtleties in dynamic range. Although most often used for recording vocals, they can also be employed to capture acoustic instruments such as guitar.


One of the best known examples is the neumann U87 however the modern variants of it cost over 3,000 so you are much more likely to find an mxl 990 or Rode nt1A in a home studio. For more information see our guide to the best condenser mics under 100. Dynamic Mics, these are the work-horse mics of rock and they can take just about any kind of punishment you can dish out. They're not as sensitive as most other mics both in terms of frequency response and dynamic range (volume differences but their ability to withstand very high spls (Sound Pressure levels) means you can use them on anything from a kick drum through to vocals. The most famous examples in this category are the Shure sm58 which is used on everything from vocals to instruments, and the Shure sm57 which is usually used on instruments and their amplifiers. Many of these types of mics can be bought in versions which use cables and as part of a wireless mic system.

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Manuals Warehouse es su fuente para obtener copias de los manuales de usuario, manuales de técnico y otros documentos sobre equipo de audio, música, escenariosy e studios. A continuación encontrará un listado completo de todos los manuales de usuario, manuales de técnico y otros documentación que tenemos disponibles para equipos tales como: Amplificadores, heads, combos Audio para el hogar: amplificadores, sintonizadores, receptores, mba reproductores de cd, minidisc reproductores/grabadoras, reproductores/grabadoras de casetes, hi-fi, los. Haga clic en una carta en la barra de navegación para saltar a una lettera di marca. Whether you're setting up your first project studio at home, or even if you have quite a bit of experience in this area, you'll find this long list of home studio equipment will cover just about every type of gear you'll need to consider. If you don't want to read through all this recording gear then you can skip ahead for a list of basic gear in a couple of example setups for beginners. Contents: Microphones, below is an overview of this topic, for a more in-depth look, which covers additional microphone characteristics including polar patters and diaphragm sizes, see: The different Types Of Microphones and Their Uses. Usb mics, if you're going for a simple set-up where you will only be recording using a microphone or two, instead of recording from gear such as hardware synths or plugging in guitars, then you can get started with usb mics because then you won't. Another good thing about them is that you don't have to worry about phantom power because they take their power directly from the usb connection.

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Im Folgenden finden sie einen umfassenden Überblick über alle bedienungsanleitungen, technisches handbücher und andere Unterlagen, die wir zur Verfügung haben für Geräte wie: Audio, av und stereo anlagen Aufnahme ausstattung: tonbandgeräte, festplatte-aufnahmegeräte, mischpulten, monitoren, reglern, modifikatoren, mikrofone bass ausstattung Bühnen leistung ausstattung; beschallung, pa-systeme, lautsprecher. Klicken sie auf einen Buchstaben in der navigationsleiste, um zu einer marke buchstaben springen. Manuals Warehouse è la vostra fonte per le copie di manuali di istruzioni, manuali tecnico e altra documentazione su apparecchiature audio, musica, palco e in studio. Qui di seguito trovate un riassunto completo di tutti i manuali di istruzioni, manuali tecnico e altra documentazione che abbiamo a disposizione per le attrezzature come: Altoparlanti: attivo, passivo, satelliti, subwoofer Amplificatori, heads, combo's Apparecchiature di registrazione: registratori, registratori hard disk, monitor, missaggio, controller, modificatori. Clicca su una lettera nella barra di navigazione per passare a una lettera di marca. Manuals Warehouse is jouw bron voor kopiëen van handleidingen, service essay manuals en overige documentatie van muziek, podium, studio en geluidsapparatuur. Hieronder vind je een volledig overzicht van alle beschikbare handleidingen, service manuals en overige documentatie van apparatuur zoals: Audio, av en stereo apparatuur Bandrecorders Bas apparatuur Compressors, limiters, enhancers Crossovers Digitale recorders dj apparatuur: mixers, draaitafels, dj-sets, effecten, modulators Draagbaar: discmans, walkmans, boomboxes, gettoblasters, radio. Klik op een letter in de navigatiebalk om naar een merk-letter te gaan.

much more audio, music, stage and studio equipment. To order an item or get more details, click on a brandname in the list below or in the list on the left. Click on a letter in the navigation bar to jump to a brand-letter. Manuals Warehouse est votre source d'exemplaires de manuels, manuels technique et autres documents sur l'équipement audio, musique, scène et en studio. Ci-dessous vous trouverez un résumé complet de tous les manuels, manuels technique et d'autres documents que nous dispensons our les équipements tels que: Amplificateurs, heads, combo's, audio, équipement av et stéréo, audio portable et personnels: discmans, walkmans, radios, radiocassettes, boomboxes, gettoblasters, équipements MP3, enregistreurs portables. Cliquez sur une lettre dans la barre de navigation pour passer à une lettre de marque. Manuals Warehouse ist ihre quelle für kopien von bedienungsanleitungen, technisches handbücher und andere unterlagen über die audio, musik, bühnen und studio ausstattung.

Below you find a full summary of all owners manuals, service manuals and other documentation we have available for equipment twist like: Amplifiers, heads, combo's, audio, av and stereo equipment, bass gear. Compressors, limiters, enhancers, crossovers, digital recorders, dJ equipment: mixers, turntables, dj kits/sets, effects, modulators. Effects processors, electronic drum machines, kits, modules, rhythmbox, drumcomputers. Piano's: electronic piano's, digital piano's, upright, grand. Equalizers, guitars, home audio: amplifiers, tuners, receivers, cd players, hifi-sets, minidisc players/recorders, cassette players/recorders, speakers, home theatre systems, music toys, keyboards. Microphones, midi equipment: controllers, converters, processors, modules. Mixers and mixing consoles, organs, portable/personal audio: discmans, walkmans, radio, boomboxes, gettoblasters, mp3 gear, portable recorders, recording equipment: tape recorders, harddisk recorders, monitors, mixing consoles, controllers, modifiers, microphones.

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Lexicon - lexicon 2014, technical grammy, winner, proven in the homework Studio. Perfected for the home. Whatever music you love, chances are it was recorded with Lexicon equipment. For over 40 years, the pros have relied on us in the studio, and our innovation has just earned us a grammy. That same award-winning technology is available for your home. 2014, technical grammy, winner. Learn More, scroll Down, dD-8, intelligent Network Amplifier, exceptional Power And Flexibility. Manuals Warehouse is your source for copies of owners manuals, service manuals and other documentation on audio, music, stage and studio equipment.


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